Jafar Tahmasbi; Mahin Hajizadeh; Abdolahad Gheibi; Hamid Valizadeh
Abstract
The term eco-critique or ecological critique was coined by William Rueckert in 1978, and this stream of critique and vision was a late reaction to the literature in the face of the ...
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The term eco-critique or ecological critique was coined by William Rueckert in 1978, and this stream of critique and vision was a late reaction to the literature in the face of the environmental crisis. This theory was soon considered in literary and social circles and had various branches and approaches, the most important of which was ecofeminism, which considers the study of nature from a feminist point of view because nature is also inherently a mythical principle, Female believes that like a woman, her rights should be defended and protected from harms. Based on the three axes of Janet Henshal, this article compares the poems of Golrokhsar Safi Ava and Suzan Alawan from the point of view of ecofeminist critique. These two poets in addition to talking about their feminine concerns use nature for imagery, empathy, ecological, and feminist positions. The result of the research shows that both poets have used the symbols of nature in their feminine illustrations dramatically and markedly. Their view of nature like their view of women, is compassionate and they consider both to be dominated by others. It should be noted that the method used in this study is a descriptive–analytical method using the American School of comparative literature
